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No engineer’s library would be complete without some technical information, and Ballou’s Handbook, now in its fifth edition, is a serious contender for being your go-to in this field. A university-standard textbook, it’s not for the layperson.

As for listening, I love heavy grooves, but I also love music with a huge sound and epic quality, which could be anything from a John Williams film score to Ella Fitzgerald singing with a bombastic big band, to massive EDM and other electronic tracks—I think they have more in common aurally than most might realize.

Hildur Guðnadóttir’s name might sound familiar to you of late as a result of her incredibly powerful score to HBO’s series Chernobyl, as well as her name being dropped recently as the composer who will score Todd Phillips’ upcoming blockbuster Joker, starring Joaquin Phoenix. But she’s more than just a film composer. She’s also a cellist, singer, electronic producer, and proponent of a strange digital variant on the cello called Ómar — a six-string electric cello built with computerized signal processing hardware that simulates the sonic properties of an acoustic cello, but with infinite flexibility and zero feedback. But back to her composing. She’s written and recorded several film and television series scores, and performed solo cello on countless others like The Revenant, Arrival, and both Sicario films, and has also arranged for choirs and contributed to recorded works for bands like Sunn O))), Múm, The Knife, Skúli Sverrisson, Nico Muhly, Hauschka, and Jóhann Jóhannsson. For sure, we’ll be hearing more from her for years!

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Dead J is one of the most innovative and prolific electronic musicians making music in China. His music is dancy, crunchy, sonically diverse, and all-together banging. He was originally inspired to make electronic music because he felt that rock music had stagnated. “One of the charming things about electronic music is its individualism,” according to Dead J, “just like when an artist creates a painting by themselves. So the possibilities for electronic musicians are huge.”  I highly recommend his new album, Ting Tai Le Ge.

In fact, when used correctly, it brings a desired effect to the music that the rhythmic pulse is deviating between duple and triple meter, moving forwards and backwards at the same time, syncopating to activate your dance muscles.

What makes the djembe stand out is a) its uniquely wide range of tones and timbres, and b) its lore. That’s right — djembes are steeped in lore and tradition. Djembe players are even given a special name, called a djembefola, while a solo is called a djembekan. Nobody is quite certain where the name djembe came from, but the instrument is thought to be between 400 and 800 years old and the Bamana people of Mali hold that its name comes from their saying, “Anke dje, anke be” — which translates to “everyone gather together in peace”.

Let’s use my own childhood as an example. I heard a few too many nursery rhymes from my crib, like “Mary Had a Little Lamb” and “Merrily We Roll Along.” Songs that focus on the 1st, 2nd, and 3rd scale degrees, small intervalic jumps, feel more familiar, more comfortable, and more nostalgic, to me at least.

Logic makes it really easy to set your tempo and time signature. If you look in the top toolbar, you will see a black box with a list including Key, Tempo, and Time Signature.

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Asheville is host to the summer music fest Shindig on the Green, a weekly festival in the summer months that features primarily Bluegrass music. If that isn’t your genre, there are tons of other fests to aim for, including Moog Fest, Downtown After 5, and Mountain Dance and Folk Fest. They even have a vivid opera and experimental scene. If you still need convincing, think about the many unique things Asheville is home to, including a car dealership turned music venue (White Horse Black Mountain) or the Asheville Guitar Bar. Pretty cool, right?!

Everyone has their own tastes, so it’s difficult to pin down what makes some lyrics better than others — but still, there are many lyricists who are widely regarded as particularly masterful. A good starting place is to identify our personal favorites, study their work closely, and focus on developing our own skills.

If you’re just a beginner at recording and doing things at home, great — in this article, we’ll go over phase issues like phase cancellation, why those issues are important to look out for, and how to deal with them. And if you’re a seasoned engineer, there might be some information here that you can brush up on.

For a glimpse of the album and to read more about it, visit scluzay.com. Forbes Magazine was granted inside access to the album in its current residence at the famous Hotel Mansour in Marrakesh, you should really watch this video too.

“Dancing in the Street” is not a Bowie/Jagger original. It’s actually a cover of a song that was originally performed by Martha and the Vandellas and was written by Marvin Gaye. This version, however, is without a doubt the most famous modern rendition and representation of the old song. (Fun fact: It was also covered by Van Halen shortly before Bowie and Jagger did it.)