For chip enthusiasts, Lewis’ campaign offers a great way to get involved and support a community that’s so dependent on DIY, grassroots support. Every one of his rewards (including Game Boys!) is affordable, making this campaign easily shareable and not easy to resist.
“I worked with Jeff in earlier sessions of Introduction to the Composer’s Craft and the Headliners Club. He has a beautiful perspective and really seems to look at his music from multiple angles. In addition to writing music, Jeff is a gifted photographer, and that comes through when you listen to his work. In the composition course, we discussed the foundations of writing music — things like form, tonality, etc., and then went on to develop his artistic voice during a follow-up session of the Headliners Club.
And so, with our eleventh edition of the Student Spotlight series, highlighting the brilliant work of Soundfly alumni created in our courses and Headliners Club mentorship sessions, we humbly offer up some new music for your favorite summer playlist.
Search neh grants
The problem is many of us don’t really think that way. My personal musical goal right now is to play piano like Errol Garner. How the heck do you start on that journey? Well, it begins with a process of breaking things down into smaller and smaller steps until you wind up with something that can be realistically accomplished in a practice session (or a few).
The piece ends with the same texture we heard at the beginning, natural harmonics produced by sympathetic resonance (2:23). Only a tiny variation in the musical landscape pops up — a new note, D. Although this looks like an anomaly in the construction of the piece, in my opinion this choice makes total sense, considering that this work is a series of 11 pieces, the presence of another note creates a sense of directionality. Instead of the movements feeling like isolated fragments collected together, inserting a new note before this section ends offers a glimpse ahead, and a bit of connective tissue.
This post is part of Flypaper’s Home Recording Week, where we’re sharing tips and insights from our community on home recording and production workflow. Read our featured articles here, or sign up for our weekly newsletter to make sure you never miss a beat!
You knew this was coming. But you know what, we’re proud of our humble blog, Flypaper. Here you can read about almost every single aspect of music-making, as well as deep dives into music history, production tutorials, interviews, photo essays, tour diaries, etc., and from literally the best music writers on the planet! And if you really want to keep up to date, make sure to sign up for our weekly newsletter, the Soundfly Weekly, and learn something new every Tuesday without leaving your inbox.
Instructed by composer and producer Martin D. Fowler (This American Life, Limetown, etc.), this course is an all-encompassing boot camp in one of the most widely used and most multi-functional DAWs out there: Logic Pro X. It’s used by pro-level producers, songwriters, engineers, and composers of all types to achieve the sound they’re searching for. Logic is also extremely affordable as far as DAWs go, making it perfect for the home-recording musician.
Mastering requires additional time and work, and so it will cost more and take longer until you have the completed song or album ready to release. If you are simply producing a nice song to celebrate your great aunt’s 75th birthday party, do you really need to have it mastered? Probably not. If you are putting together a demo of songs to send to a venue as part of their requirement to book you for a show and they need it this Friday, should you take the time to get those songs mastered? Not necessary. In these situations, adding a compressor, limiter, or maximizer plugin to the master output channel of your mix to boost the overall volume level is likely sufficient for your needs.
Any permutation of the I, IV, and V chords from a key is going to sound good, and every permutation has been used many thousands of times over (especially when it’s in the 12-bar-blues form).
Open mics make lofty promises about what they’re able to offer songwriters of all levels. I’m here to tell you that they’re still a waste of your time.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
A good vocal coach will instruct you on diaphragmatic breathing, and on becoming aware of your body as you sing; keeping good posture; releasing tension etc. He or she will help you to identify your range, give you exercises to improve your technique, and guide you through the material you wish to sing. Finally, he or she will tell you to practice every single day!